I am writing this now in a new year, recalling, trying to piece together that chunk of my recent past, so that I, or anyone else in need or desire, can dip into it at will if necessary to find the ingredients with which to build a wider construct. That is an important function of the telling of experience. I am also writing to sort out for myself who I was and was becoming throughout that time, setting down my artifacts, not only for later scrutiny, but also to be free of them. I do not wish to be free from their effect, which I will carry and use internalized in one way or another, but free from having to carry them around in a reserve part of my brain.
But I am writing across a gap so filled with death—real death, the fact of it—that it is hard to believe that I am still so very much alive and writing this. That fact of all these other deaths heightens and sharpens my living, makes the demand upon it more particular, and each decision even more crucial.
Breast cancer, with its mortal awareness and the amputation which it entails, can still be a gateway, however cruelly won, into the tapping and expansion of my own power and knowing.
We must learn to count the living with that same particular attention with which we number the dead.