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Arturo Perez-Reverte

The Flanders Panel

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“A sleek, sophisticated, madly clever chamber mystery” from the international bestselling author—the basis for the film Uncovered starring Kate Beckinsale (The New York Times Book Review).
A fifteenth-century painting by a Flemish master is about to be auctioned when Julia, a young art restorer, discovers a peculiar inscription hidden in a corner: Who killed the knight? In the painting, the Duke of Flanders and his knight are locked in a game of chess, and a dark lady lurks mysteriously in the background. Julia is determined to solve the five-hundred-year-old murder, but as she begins to look for clues, several of her friends in the art world are brutally murdered in quick succession. Messages left with the bodies suggest a crucial connection between the chess game in the painting, the knight’s murder, the sordid underside of the contemporary art world, and the latest deaths. Just when all of the players in the mystery seem to be pawns themselves, events race toward a shocking conclusion. A thriller like no other, The Flanders Panel presents a tantalizing puzzle for any connoisseur of mystery, chess, art, and history.
“A beguiling puzzle—a game within a game within a game—solved in perplexing but entertaining fashion.”—The Philadelphia Inquirer 
“For mystery fans who yearn for literate, intelligent, sophisticated whodunits, Spanish author Pérez-Reverte’s highly acclaimed story fills the bill perfectly … An inventive plot, gripping suspense, fascinatingly complex characters, and innovative incorporation of art, literature, and music will enthrall readers looking for something a little different.”—Booklist
“This intelligent mystery . . . comes up with a satisfying twist at the end.”—Library Journal
Тази книга не е налична в момента
405 печатни страници
Оригинална публикация
2004
Година на публикуване
2004
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Цитати

  • finalfadeoutцитирапреди 6 месеца
    The sense of realism was so intense that the painting effortlessly achieved the effect sought by the old Flemish masters: the integration of the spectator into the pictorial whole, persuading him that the space in which he stood was the same as that represented in the painting, as if the picture were a fragment of reality, or reality a fragment of the picture.
  • Николай Зубовцитирапреди 3 години
    Like a Charles Stuart climbing to the scaffold almost as if he were doing so as a favour to the executioner, with his already rehearsed “Remember” on his lips and in the hope that he would be beheaded in profile, as he appeared on the coins struck in his image.
  • Николай Зубовцитирапреди 3 години
    his bones would doubtless tremble with pleasure beneath his dusty gravestone in the crypt

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