en
Catherine McCormack

Women in the Picture

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'Incisive and provocative … a sensitive and probing critique' The New York Times

'Essential reading … gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gørrill, author of Women Can't Paint

A bold reconsideration of women in art — from the 'Old Masters' to the posts of Instagram influencers
A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale…
Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.
In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images — from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists — from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker — have offered us new ways of thinking about women's identity, sexuality, race and power.
Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision.
'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times
'It felt like the scales were falling from my eyes as I read it.' The Herald
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256 печатни страници
Притежател на авторското право
Bookwire
Оригинална публикация
2021
Година на публикуване
2021
Издател
Icon Books
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Цитати

  • Thu Phamцитиравчера
    Hopefully this book has provided some awareness of the nuances and complexities that inform our currently antagonistic debates about objectification, pornography and rape culture; about decolonisation; about gazes and what it means to see and be seen, and the privilege and power behind who is allowed to look, as we all work out new ways to leave behind those limited archetypes that blinker and distract us.
  • Thu Phamцитиравчера
    But women must write. They must, as the feminist philosopher Hélène Cixous said, ‘write about women and bring women to writing’.
  • Thu Phamцитиравчера
    In the foreground of the space, two giant bones reflect light from the screen. These bones reference the bones of ‘Lucy’, our earliest known bipedal ancestor who walked the earth of Africa over 3 million years ago.
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